受此次展覽委託，速寫各種工作情境、概念的手，與法國警官／生物識別技術研究者貝蒂榮（Alphonse Bertillon）於1889年《主要手工職業的特徵標記》的案例，探討不同的辨識方式下，特徵的提取與詮釋的差異。
Commissioned for this exhibition, this series of sketches captures various working scenarios and concepts of the hand, drawing from cases documented by French police officer and biometrics researcher Alphonse Bertillon in his 1889 archive Signes caractéristiques des principales professions manuelles. It explores how different modes of recognition yield varying approaches to feature extraction and interpretation.
黎寧駿 LI Ning-Jyun
1999年出生於台灣台北，現就讀於台北藝術大學美術學系碩士班。創作多為複合媒材、影像裝置，靈感大多來自生活中的觀察與散步時的思考，透過重新思考日常物件的性質，用自身的行為產生新的脈絡。試圖混淆既有的認知途徑，與觀者過往的經驗對話。
Born in 1999 in Taipei, Taiwan, and an MFA student in Fine Arts at Taipei National University of the Arts. The work often takes the form of mixed media and video installations, rooted in everyday observations and thoughts formed while walking. Rethinking the nature of everyday objects through personal actions allows new contexts to emerge. The practice aims to blur established modes of perception and initiate a dialogue with the viewer’s prior experiences.