！感電注意！
Caution: Risk of electric shock
Caution: Risk of electric shock
「掌位」在《銀河騎士傳（シドニアの騎士）》裡指的是衛人彼此手相握成一體的技巧，而《科技殭屍》系列一直在拼貼、串連不同種技術物，本次作品延伸這個想法、拆解不同種利用手控制的介面，並彼此合握！
作品中從技術物關於手的「人機介面」開始展開到機器內部之間的介面：電梯按鈕、薄膜式鍵盤、遊戲搖桿到按摩椅搥背機構、掃地機器人，拆解並將原先相異的技術物重構出一個彼此互握的小系統。
In the anime Knights of Sidonia, the term “palm-position” refers to a technique in which Gardes (衛人, Morito) interlock their hands to operate as one. Drawing from this concept, the Tech-Zombie series continues its exploration of fragmented and interconnected technological objects. This iteration expands on the idea by deconstructing various hand-controlled interfaces and recombining them into a system of interlocking “palm-positions.”
The work begins with human-machine interfaces related to the hand—elevator buttons, membrane keyboards, game joysticks—and extends inward to the machine’s own internal mechanisms, such as the massage modules of a massage chair or the motion system of a robotic vacuum. Through disassembly and reconfiguration, these heterogeneous devices form a micro-system of mutual grasp and interaction, echoing the logic of modular symbiosis in a tech environment.
蕭育禮 HSIAO Yu-Li
出生於臺灣臺南，畢業於國立中正大學機械工程學系、國立臺北藝術大學新媒體藝術學系碩士班（原科技藝術研究所），同時為Maker Village核心成員。創作類型以聲響及動力裝置為主，聲音上探索在原音（Acoustic）與取樣（Sampling）之間轉換中的形變過程，而動力裝置以廢棄技術物的解剖學和拼貼技法作為主要研究的方向。近幾年與不同領域的創作者共同創作時，常以機械學來思考無機物與有機物之間的關係，並尋找兩者間能如何擾動彼此。
Born in Tainan, Taiwan, the artist holds a bachelor’s degree in Mechanical Engineering from National Chung Cheng University and a master’s degree from the Department of New Media Art (formerly the Graduate Institute of Arts and Technology) at Taipei National University of the Arts. As a core member of Maker Village, the artist primarily works with sound and kinetic installations. In the realm of sound, his practice explores transformations between acoustic and sampling. For kinetic works, the focus lies in the dissection and collage of discarded technological objects, treating them as material for mechanical anatomy. In recent years, collaborations across disciplines have led to ongoing inquiries into the relationships between inorganic and organic matter, using mechanical thinking to probe how one might disturb or activate the other.