2027年，由於人工智慧成熟發展，一家AI公司開始著手進行完美操作技術的研發，但只有人類需要透過操作技術與數位連接，對於不需要操作技術的人工智慧 ，只能透過數據庫的回溯分析人類過往的操作技術歷史。《隱藏技術》即是發生在這個不久的將來，人工智慧對當前最主流的操作技術「觸控」所做的資料簡報，從2007年首支iPhone的發售開始，不斷地隨著時間線往後回溯，甚至連結到了存於虛構的遠古中國武術「點穴」。
In 2027, due to the mature development of artificial intelligence, an AI company began its research and development on “Perfect Operation Technology”. However, only humans needed to rely on operational skills and digital connections. For AI that didn't require operational skills, they could only analyze the historical operational techniques of humans through a retrospective analysis of the database. Invisible Technology is set in this not-so-distant future, where artificial intelligence presents a data presentation on the current mainstream operation technology, “Touchscreen,” starting from the launch of the first iPhone in 2007 and continuously tracing back along the timeline, even linking to the fictional ancient Chinese martial art, “Dim Mak”.
陳琛 CHEN Chen
1997年出生於臺灣高雄，畢業於臺北藝術大學美術學系碩士班。是一位武俠電影的發燒友、數位技術的考古人員，以及各種網路垃圾的拾荒和製造者。目前主要以新媒體與錄像裝置作為藝術創作形式，以武俠電影作為研究對象，透過數位時代之不同數位介面、技術、設備與經驗，將武俠電影重新解構與重製，並於重製過程中展開對於虛擬身體感的問題意識。也擅長使用散文電影（Essay Film）與桌面電影（Desktop Film）的構成手法處理影像敘事，回應不同的當代數位問題。2021年參與花蓮志哈克藝術實驗場「海岸山脈的大蟲洞」影展駐村計畫，2022年入圍關渡美術館的「北藝當代創作獎」，2023年參與臺北數位藝術節「智能廢驅：DAFT x ARKO錄像放映計畫」。2024年於福利社藝術空間舉辦個展「斷臂The Severed Arm」。
Born in Kaohsiung, Taiwan in 1997. Chen graduated from the Master's program in the Department of Fine Arts at TNUA. Currently, his creative mediums include new media and video installation, with martial arts films as his research subject, which he re-deconstructs and reproduces using various digital interfaces, techniques, equipment, and experiences in the digital era. Through the process of reproduction, he unfolds the problematic of corporeality in virtuality. He also excels at crafting visual narratives through approaches of essay films and desktop films to respond to different contemporary digital issues.
In 2021, he participated in the “Great Wormhole in the Coastal Mountains Range Film Festival Artist-in-Residence Program” at Gihak Artlab in Hualien. In 2022, he was shortlisted for “The 2022 TNUA Contemporary Art Prize” at the Kuandu Museum of Fine Arts. In 2023, he participated in the “Digital Art Festival Taipei” (DAFT x ARKO Video Art Screening Project: The Ruined Intelligence). In 2024, he presented his solo exhibition "The Severed Arm" in the FreeS Art Space.